I’m a fan of Lisa Gardner, and Before She Disappeared is another well-written, character-driven mystery. I wouldn’t call it a thriller as advertised. Also, it’s called a “stand alone” novel, but my instincts tell me we will see more of protagonist Frankie Elkin.
Frankie is a white, middle-aged, recovering alcoholic, skinny wisp of a woman, who inserts herself into a Haitian neighborhood in Boston to find a missing teen girl. She stands out like a spot of bleach on dark cloth. She travels around working as a bartender, but her purpose in life is finding missing persons. She has found fourteen people but all after they died. Her passion is to bring one home alive.
Gardner defines her characters in detail and gives us insights to even minor players. I found Frankie courageous, tenacious, sometimes very likeable, sometimes totally irritating. Others in the story—Frankie’s boss, her Boston police connection, her AA friend, the missing girl’s family, the villains, and more—were all interesting personalities. Even the feral cat, Frankie’s roommate, has a personality and brings a touch of humor to a dark story.
The plot held my interest with twists and turns, but was somewhat slow in the beginning. Having lived in and around Boston most of my adult life, I loved the setting even though I’m not that familiar with Mattapan. Even though the neighborhood in the book is poor and sometimes violent, Gardner builds a feeling of community togetherness.
A very good story. Only my irritation with Frankie’s reckless actions and her obsessions with her past kept me from giving it five stars.
“Ideas are wilder than memories.”
Ideas—art, creativity, invention—can breed and grow and outlast memories and lives. Addie Larue makes a deal with Luc (short for Lucifer) and trades her soul for freedom. In 1714 she fights against forced marriage, against a life spent in her village as wife and mother tied to the will of others. She wants to see and experience the world. But in exchange for freedom she not only promises Luc her soul when she becomes tired of life, she’s cursed with not being able to leave a mark or to be remembered. She can’t speak her name. If she takes pen to paper, the mark disappears; if she builds a pile of stones, the stones move back from where she took them; when people leave a room and return, they don’t remember her. She is immortal, does not injure or become ill, remains forever young. But through the years she learns to implant ideas, and the idea of her lives on through music and art.
The story timeline jumps between NYC in 2014 and Addie’s past. She is a bright light experiencing joy and pain, discovery and loss, beauty and horror. The only consistent individual in her life is Luc, until 2014, when she meets Henry who remembers her and her name.
I’m not usually a fan of fantasy. Monsters and magic don’t intrigue me. But this is a book about the meaning of life. There are interesting characters, history, romance, mystery… I found it fascinating. I recommend it to all, fantasy lovers or not.
I’ve read some reviews by people who are disappointed that this is not a “love story.” But it is a different kind of love story, not a romance novel, not sexual love, but the story of the love between two very different women who are lifelong friends. Dannie, a lawyer, is organization personified, planning every moment of her life in advance. Bella, an artist, is a free spirit, living and enjoying life as it happens.
The plot is unique (at least to me). Dannie has a realistic dream, a premonition, where she wakes up five years into her future in a different apartment with a different boyfriend—a different life. She spends the next five years determined to make her planned future happen, not the one in her dream. The story ends with a twist, which I like.
This novel is full of love, laughter, anger, heartbreak, and tears.
Mosley is a descriptive writer—settings, characters, actions—all are vividly detailed. You can see them in your mind’s eye. His characters are never one-dimensional. He digs deep and finds good and bad in heroes and villains alike. He describes LA of 1969 so well that you feel as if you’re living there.
In this story, Easy Rawlins is almost accidentally drawn into uncovering a complex plot of theft and murder when he sets out to find a missing girl for a PTSD veteran. Even after the young vet is murdered, Rawlins can’t let it go. He wants to finish the job, and if he doesn’t untangle the mystery, he could end up dead like his client.
The only thing that kept the novel from being five stars for me was too many characters to follow, even though each one felt distinctive.
Most of this novel is filled with tales of the motley crew of Hollywood Hills cops taking police calls—a mixture of hilarious, sad, heartbreaking, and violent stories. But mixed in with the incidents is a crime plot with many weird twists and turns. Wambaugh writes with such finesse and detailed characterization that you understand all the players’ (good an bad) motivations.
The book keeps you reading to see what crazy action will happen next.
The novel is the story of two young women searching for the same man for totally different reasons. Alice is looking for her “kidnapper,” and Merrily is looking for her “stepfather.” They cross paths via a couple of wild characters, members the Doe Network, an online organization of volunteers trying to match missing and unidentified persons.
Alice and Merrily have different backgrounds and personalities, and yet they are in some ways alike. Both raised by single parents, Alice’s rich and powerful father controls and protects her, and Merrily is controlled and protected by her working class mother. Neither reaches out to uncover the mysteries of their childhoods until they are adults.
The plot is filled with twists and turns, deceits and lies. It kept me guessing, but sometimes my guesses were right on. The characters are well-written and interesting. The book kept my attention to the end. Lori Rader-Day is new to me and a good storyteller. I will look for more of her work.
The book is not really a novel.
I’m a huge fan of Kim Stanley Robinson, but I almost quit reading a third of the way through. To me it felt like a mind dump of facts, ideas, speculations, possibilities, etc., with a thin plot woven in between. Maybe the author was trying to get all his thoughts about how to deal with global warming down in one place. It was filled with vignettes about the environment, economy, banking, politics, history, terrorism, immigration refugees, and more. But a chapter from the point-of-view of a carbon atom? Come on!
Something that bothers me as an editor is the switching back and forth in style of writing. An example: the use (or lack thereof) of quotation marks in conversation. It takes me a while to tune into a story where the author chooses not to use quotes. It hit me over the head when KSR threw in some chapters where he used them in a book that was mostly written without. One chapter even switched in the middle.
Needless to say, since I finished the book, KSR captured my attention. I learned a lot and was intrigued by his ideas (real or imagined) about how to deal with the world’s environmental, social, and economic problems.
Kava gives us the three H’s—head, heart, and even a little humor. This is only my second read of an Alex Kava story and the first with dog handler Ryder Creed. She also includes FBI Agent Maggie O’Dell from another series. Kava gives us a picture of Florida’s Blackwater River State Forest for setting, a well-paced plot, and likable (and despicable) characters. My favorite characters are the dogs.
Ryder, his sister Brodie, and dog Alice uncover a body dump in the forest behind Ryder’s dog kennel. Some of the bodies aren’t even buried.
Even though the sixth book in the Creed series, I had no problem reading it as a stand-alone. I recommend for all murder mystery lovers.
Fallout is the third Paretsky novel I’ve read and the best of the three, even though published before the other two, Dead Land and Shell Game. The plotting is meticulous, and the characters are believable and likable, even V.I.’s dog, Peppy.
Private Detective V.I. Warshawski’s god-daughter, Bernie, and Bernie’s friend send her looking for August, who has disappeared along with an aging film star. August is a person of interest in the ransacking and drug theft from a gym where he works. But Warshawski finds his apartment has also been broken into and trashed.
The search sends V.I. to Lawrence, Kansas, where no one wants to answer an outsider’s questions. She continues digging, uncovering clues, secrets, lies, more missing people, plus injured and dead bodies, which all seem connected to events at a 1983 protest at a nuclear missile silo. At the center of all the mystery is Sonia Kiel, whose parents have labeled her crazy and ignore anything she says as hallucination and rambling. V.I. rescues her from an overdose, but she’s in a coma in the hospital, unable to answer questions.
A well-written story with step-by-step clues to the answers plus an engaging protagonist. I highly recommend this book to mystery lovers.
I’ve read a couple of Ann Cleeves’ books and enjoyed them, but this (#9 in the series) is my first DI Vera Stanhope novel. Cleeve always gives us a good feeling for the setting. This story centers around the estate of Vera’s family from which Vera’s father was disowned. The mystery plot is good and I was surprised when the killer was revealed.
This novel is a character-driven police procedural. I found the first murder victim, Lorna, to be the most interesting character in the story. The protagonist, DI Vera Stanhope, spent a bit too much time going over the same information in her head and getting nowhere. In my opinion, the author spends too much time covering many characters’ feelings of guilt, envy, or both. Joe, one of Vera’s team, seems to be the only one with his head on straight.
Overall a good read. It could have been shorter if it didn’t cover the same ground several times.