Category Archives: mystery

Robert Dugoni — A Steep Price

A good police story. Seattle’s violent crimes unit has a lot going on. A missing East Indian woman may only be avoiding friends and family to dodge arranged marriage, but Tracy thinks it doesn’t feel right. Faz and Del investigate a shooting of a black woman activist in broad daylight, which they believe was ordered by the local drug kingpin. A suspect of the woman’s shooting is shot and killed by Gonzalez, a new detective in the department from LA. The suspect was unarmed.

All of the detectives have pressures on the personal side. Tracy is pregnant but hasn’t told her department. Faz’s wife Vera is diagnosed with breast cancer. Del throws his back out and isn’t always available. New detective Gonzalez acts suspiciously, snooping in other detective’s computers and lying about what happened with Faz when she shot the suspect.

The characters are interesting, and the plot kept me reading.

Ann Cleeves — Wild Fire

This novel is my introduction to a well-known mystery writer. Jumping into the last book of Ann Cleeves’ Shetland Island series with DI Jimmy Perez, I found the story easy to read as a stand-alone and will likely go back and read more of her work.

The author’s depiction of the setting makes me want to visit the small village on a remote island in the far north UK. The characters are equally well defined. A family has moved to the island from London, in part to provide a better life for their two children. Christopher, their autistic son who has a liking for fire, is one of the main characters in the story. He finds the body of a neighbor’s nanny hanging from the rafters of their shed, where the previous owner of their home committed suicide.

The mystery stays unsolved until the end. The suspects are many, beginning with the family and including a bitter town gossip who becomes the next murder victim.

I would recommend this well-written book to anyone who loves a good mystery.

Ben H. Winters — Golden State

In this dark, dystopian novel set in Golden State, a future California, lying is the worst of all crimes. Laszlo Ratesic, an officer in the Speculative Service, is trying to solve anomalies in a case where a roofer fell from the top of a house and died. He can sense lies. His partner, a recruit to the service, is even better at this skill than Laszlo. In following the details of the incident, they uncover a plot to undermine “the truth.”

The story is set in a world of complete surveillance where everyone is required to record all of their actions and add them to the official “Record” each day. The only books allowed are books of fact. Any history before the founding of the Golden State and anything outside its boundaries are “unknown and unknowable.”

Although brainwashed, the main character was interesting. The plot was good, and there were surprises at the end.

Not a bad read.

Carly Buckley — The Liar’s Child

Sara is running from a Hurricane headed for the Outer Banks of North Carolina and also trying to escape witness protection. She rescues two children, Cassie and Boon, who are home alone in the apartment next door. She’s torn between finding someplace to drop the children and staying off the radar, so the agents don’t track her.

All the characters are intense and twisted but interesting. I’m not sure who the title character is supposed to be, since everyone is lying and/or a liar’s child. Hank, a retired sheriff, is almost unnecessary to the plot. He’s haunted by a missing son who disappeared years earlier at age ten. Whit, Cassie and Boon’s father, is dealing with the disappearance of his wife while holding down a demanding job and taking care of the two children. Cassie, age twelve, tries to fit in with the older kids in the neighborhood by dressing Goth. Five-year-old Boon sleeps in his closet.

The story feels repetitive at times, but each time we see the “facts” from a different point of view, we learn a little more of the “truth.” It kept my interest to the end, and I liked the ending.

Dan Brown — Origin

I haven’t read a Dan Brown novel in years. I gave up after The Da Vinci Code and Angels & Demons. As you can read in many of the reviews, he’s not the best writer. But a friend gave me a copy of Origin recently, so I read it.

Where do we come from? Where are we going?
These are the two questions to be answered by the “big reveal” that is the central plot of the novel. There is lots of philosophical discussion about the questions and the differences between religion and science—some interesting, some repetitive. But in my opinion (and maybe the author’s), the big reveal doesn’t truly answer either question. And I guessed the villain of the story early on, so the ending fell flat for me.

I enjoyed Spain. Brown’s description of the art, architecture, landscape, and culture made me want to visit. But even some of this was repetitive.

Overall, it was an interesting read, but it could have been much shorter.

Chris Hammer — Scrublands

Excellent writing.

The author takes us into Riversend, a small dying settlement in Australia’s interior, in the middle of a summer drought. The river running through the town has dried into cracked earth. You can feel the heat and see it rising off the baked land.

A priest shot five men in front of the church and was killed by the local policeman. Martin Scarsden’s editor at the newspaper sends him to visit Riversend a year after the shooting to write a piece about how the locals are coping with the tragedy. At first, Martin is a typical newsman interviewing residents—outside looking in. The town is full of secrets and rumors, which cause Martin to write articles for his paper with incorrect facts, gaining enemies. As he gets to know them, people ask why a priest that many admired and loved did such a terrible act. Martin’s curiosity and desire to find the truth have him looking for the answer. This is the central question in the story.

Hammer’s characters are varied and complicated, not always who or what they appear to be at first meeting. He even gives us insight into the dead priest.

The plot is complicated, with many twists and turns. It kept my interest from beginning to end.

Robert McCaw — Off the Grid

Off the Grid is a murder mystery/police procedural/international thriller set on the big island of Hawai’i.

The story starts with “bang” when a woman’s car is crushed by a dump truck. As the police and firemen close in, there is a massive explosion, which turns out to be a bomb. Chief Detective Koa Kãne leaves the scene to investigate a body found in the volcano Pele’s lava flow. The two victims are a man and woman who have been living off the grid on the island for twenty years with little interaction with other people. Who are they, who murdered them, and why?

Koa meticulously tracks the complicated answers, with his instincts helping to point him in the right direction. His chief, CIA, MIA, and island politics all try to block and interfere with his investigation. He continues to uncover secrets about the two victims, the military, the CIA, the Chinese, and the locals.

Koa Kãne has secrets of his own that he shares with no one, not even his girlfriend. The author paints a picture of Hawaii and its people that is fascinating. You can feel the heat and smell the sulfur of the volcano, sense the lush rainforest, connect with the variety of people who inhabit the island. All of McCaw’s characters are interesting.

A great read by a talented author. Thanks to Oceanview Publishing for sending an advanced reader’s copy of this book.

Tami Hoag — The Boy

Nick Fourcade and wife Annie Broussard, detectives with a sheriff’s department in Louisiana, have two major cases to solve–the rape of a young autistic girl who doesn’t speak and therefore can’t identify her attacker, and the murder of a seven-year-old boy in bed in his home.

The plot is good with many suspects for the murder and twists, turns, and surprises throughout the book. But the characters (the author jumps through numerous POVs) are all warped and living twisted lives. Characters are evil, mean, power hungry, psychologically twisted, or cops so set on finding the perpetrator that they browbeat the victims. Hero Nick is always angry at everyone except his wife and son. None of the characters appear to grow.

There doesn’t seem to be a premise to the story, but maybe a theme of child abuse, spousal abuse, bullying, and the effects on the abused.

I’ve read other novels by Tami Hoag, and this one doesn’t compare favorably. The book kept me reading to the end, because of a good plot. Certainly not because of the characters.

Tim Johnston — The Current

The Current is a strange story written in a strange style, and it leaves unanswered questions at the end. It’s closer to real life where everything doesn’t get neatly tied up. There is mystery here, but not your typical “whodunit” mystery, maybe a literary mystery.

I enjoyed the story, but it took a little while to understand the flow. At times Johnston writes stream of consciousness, sometimes he uses second person POV, head-hopping from one character to another, and he skips back and forth between timelines. But he digs deep into the psyches of his characters—love, hate, grief, curiosity, need-to-know, vengeance—and tells all that is going on around them—sights, smells, heat and cold, sounds, skin sensations.

I enjoyed the book but only gave it four stars. It grabbed my attention, my heart, and my mind. But the author could have made it a little easier to follow without losing the grip of the story.

Louise Penny — Kingdom of the Blind

I have not read any of the previous books in this series, which may be a disadvantage in reading Kingdom of the Blind, but it reads well as a stand-alone.

The cozy comfort of the small town of Three Pines stands in stark contrast to the back streets of Montreal. Some of the gatherings of Gamache’s family or friends in the village, discussing the murder or just babbling about life, at times seemed confusing or unnecessary, possibly due to my unfamiliarity with the characters. But these gatherings were comfortable, friendly, and humorous. The story is filled with family connections (both relational and families of friends or coworkers), some full of love and understanding and some underlined with distrust.

One unusual thing about Penny’s writing is her use of omniscient point of view. You might even call it “head-hopping.” She often jumps POV from one character to another and back. I found it distracting at times, but overall, she did a reasonable job of making it feel seamless.

The setting in Canadian winter made me feel the chill and the crunch of the snow underfoot. The plot was interesting. Occasionally I was ahead of the story and guessed what would happen, other times I was surprised.

I may go back in time and read other novels in Ms. Penny’s Gamache series.