I intended to read this book years ago and finally got to
it. I won’t go into great detail. There are plenty of reviews available with so
much detail you almost don’t need to read the book.
There are two plots. The story begins with Mikael Blomkvist’s
conviction for libel for an article he wrote about billionaire businessman
Wennerström. This plot line stays in the background until late in the book.
Mikael is then hired by Vander, another rich man, to write a family history as
a cover to find out what happened to his granddaughter, Harriet, who
disappeared almost forty years earlier. This is the plot that consumes most of
The book covers many subjects including business greed and
crime, abuse of women, twisted family relationships, journalism ethics, Swedish
Nazism, computer hacking, and more.
There are also two main characters: Mikael Blomkvist and
Lisbeth Salander, (the girl with the dragon tattoo). Lisbeth doesn’t get
involved with the investigation until about halfway through the story, but we
follow what she is doing before that. Larsson gives us great detail about both
of these very different characters.
I enjoyed the book from the beginning, even though the first
half was rather slow with too much detail about clothes, meals, and day-to-day
minutia. Mikael spends a lot of time on the family history and very little on
the missing girl until way into the book.
The climax of the story occurs about three-quarters of the
way through. The rest of the book ties up all the loose ends, including the first
Larsson’s writing kept me interested from beginning to end.
Here and Gone kept me on the edge of my seat throughout the
whole book. What would you do if a sheriff in the middle of nowhere pulled you
over with a trumped-up charge and took your children away? Then he claims there
were no children in your car. No one believes you—state police, FBI, media all
think you have killed your children.
Unlike many of today’s thrillers that are filled with
violence and farfetched scenarios, this is an intense, believable psychological
Amazon classifies this book as a murder mystery/thriller, but it’s not your typical mystery. The plot revolves around a love story, but it’s not a romance novel. You might call it a psychological thriller. I don’t think it falls into any genre.
The story is about secrets and lies. Polly and Adam cross paths passing through a small town in Delaware. Both have secrets. Polly is running away from her husband and daughter, and she has a past that even they don’t know. Adam has been hired to find her. They fall in love and stay in the town for each other. But neither shares their secrets.
A woman dies in a fire in Polly’s apartment. It’s ruled an accident, but is it?
Sunburn is very strange story that follows no rules. But I like strange.
Anna Fox has is a psychologist with agoraphobia. She can’t leave her home. She spends her time talking to a support group online, learning French online, playing chess online, watching old black and white movies, and watching her neighbors through their windows.
She has actual contact with few people—her physical therapist, her psychiatrist, and her tenant who occupies the bottom floor of her home. New neighbors move in and she has a visit from their teenage son, and then the mother, Jane Russell. One day through the window she sees a woman murdered—Jane Russell. Or did she? Anna drinks heavily and abuses her psych medications. Was she hallucinating?
The Woman in the Window is an intriguing psychological thriller. Twists and turns kept me reading Anna’s day-by-day tale.
Michael Swann is in Penn Station when a bomb goes off. His wife Julia believes he’s alive and is obsessed with finding him.
I have mixed feelings about this book. The plot was good and characters were interesting. I read some reviews and some readers were surprised at the twist at the end. But I had it figured out early, maybe by the middle of the book.
The point of view switched back and forth between Julia and an unknown man with no memory who escaped the bombing. Scenes with Julia trying to find Michael with no idea of where she was going or how to find him alternated with her memories—good and bad—of their marriage. Sometimes this was easy to follow and sometimes disjointed. I became irritated with Julia’s wild search as the story progressed. There was no logic to what she was doing; she acted in panic mode throughout the book.
Overall this was a good read. What would you do if a member of your family was caught in a terror attack, and you didn’t know if he or she was alive or dead? What would you do if the police and media started accusing that family member of being connected to the attack?
This thriller/murder mystery jumps between 2016 and 1986. In 2016, Ed Adams is a small town school teacher haunted by events from 30 years past. In 1986, Eddie and his group of 12-year-old friends’ lives were interrupted by a terrible accident at the fair, two unsolved murders, a suicide, and a beating that left a man in an almost vegetative state.
Eddie’s father always told him “Never assume, Eddie. Question everything. Always look beyond the obvious.” But the whole town has made assumptions about what happened in 1986. When bad things start happening again in 2016, people once more make assumptions.
The Chalk Man, Tudor’s first novel, has an intriguing plot, great characters (young, middle-aged, and old), a setting that makes you feel you are there, and twists and turns that keep you hooked.
This is a different book, but I like different. It starts at the end with protagonist Erin digging a grave to bury her husband. Then the story goes back to tell us how she got there. But the ending isn’t quite what it seems in that first chapter.
I enjoyed the progression of the events in Erin’s mind in this psychological thriller. She is a bright young upper middle class women getting married to the man she loves, creating a documentary, living what seems to be the almost perfect life. But she is also self-centered, naïve, greedy, and blind to the flaws of people she likes or loves. Although she worries too much at times and plans her steps to accomplish her goal, she doesn’t always look at the possibilities of what might happen as she proceeds.
To me the premise of this book is: “What would you do if you found an illegal treasure that appears to be untraceable?”
Erin irritated me at times, but I found her story intriguing. A good read, good first novel.
This is the story of a marriage falling apart. Sutton and Ethan Montclair are both writers who claim to love each other, but they don’t trust each other. Their lives are full of hidden secrets and lies. Both writing careers are in trouble and their infant son dies of SIDS. Then Sutton disappears. The police think Ethan has murdered her, except Holly Graham who is lead in the case.
The plot twists and turns, and we know from the beginning that there is some female villain who is manipulating things, but we don’t know who or why.
This was a good read. The story kept my interest. But I wasn’t thrilled with the characters. Both husband and wife are very self-centered. Sutton has hidden secrets about her life before meeting Ethan. She runs away from her life. Ethan tries to drink away his troubles, many times more worried about himself than his missing wife. The reader should like or identify with in some way the protagonists. I couldn’t dredge up much sympathy for either Sutton or Ethan, even though a very evil person was destroying their lives. I liked Holly Graham, but she was not the main character.
I did read the whole book, which I won’t do if it doesn’t grab me in some way.
During an excavation in London to upgrade an old neighborhood, the skeleton of a newborn baby is found. The police estimate the burial to be thirty to forty years ago. This grabs newspaper reporter Kate Waters’ attention, and she starts digging to find people who lived on the street at the time. She finds an old story about a baby stolen from the hospital, but as the date of the burial becomes clearer some things don’t match. The missing child was kidnapped a decade earlier and in a different neighborhood. Working the story, Kate finds more information and secrets, plus some unexpected surprises.
Trying to figure out what had happened, the book held my interest from the beginning, but it didn’t really grab me until the latter part of the story, keeping me up late the last night to finish it.
I guess the novel would be women’s fiction, mystery, maybe literary, maybe psychological thriller. I know that I say I’m not into women’s fiction, but there are some very talented writers in that genre. Author Barton kept me reading and kept me guessing. I would definitely read another of her novels.
Police investigator Mia Krüger and her boss Holger Munch head a team looking into the strange death of a young girl found posed in the woods on a bed of feathers. They discover a film of the girl in a cage, running in a wheel like an animal in order to get food. What sort of sick person would do this?
Maybe it’s the cold and the long dark nights or maybe it’s the books I choose to read, but it seems that whenever I read a novel by a Scandinavian author, they are filled with gloom. Norwegian Bjork fills the story with characters (good and bad) who are depressed or psychologically damaged. It’s set in the beginning of a long, cold, dark, Norway winter.
Even so, I enjoyed the plot’s twists and turns, the unraveling of a very strange murder, and even those bleak characters involved in solving the crime.