The Parade is a psychological,
political, literary novella about two anonymous contractors hired to pave a
road in an unknown civil-war-torn country. Two opposite personalities travel
from the poor south to the city in the north. The author tells the story from “Four’s”
point of view. His goal is to follow the rules, don’t interact with the locals,
get the job done on time for the parade, and go home. We only see “Nine”
through “Four’s” perspective, as a happy-go-lucky rule-breaker who pays little
attention to the job and spends his time mixing with the locals, partying,
drinking, sleeping with the women, and giving away company property. “Nine” is
interested in what’s happening to the country, its people, and what the road
will mean to them.
I would give the book four stars, except that I guessed the
twist at the end from the very beginning. Maybe I have a twisted mind.
A character-driven psychological thriller, this novel grabs
your attention and keeps it to the end.
Three children meet a monster in the woods—a huge, mean man
with a huge, mean dog. Rain fights off man and dog, runs, and hides in the
roots of a tree. Physically injured and traumatized, she stays hidden for hours,
unable to move, call out, or go for help. Her two friends, Hank and Tess are
dragged away by the monster. Hank is brutalized but survives. Tess doesn’t make
The story follows Rain and Hank as adults. Rain is a
journalist who has quit her job to be a stay-at-home wife and mother, and Hank
is a psychologist who treats traumatized children. Both lead fairly normal
lives but carry scars from their childhood abduction and loss of their friend.
Rain has a loving husband and a beautiful daughter that she adores. Hank is a
kind and gentle doctor helping his patients. But Rain carries heavy guilt about
not going for help to save her friends, and Hank has a second personality, cruel
and vindictive. Both Hank and Rain become involved in the investigation of an
apparent vigilante serial killer whose first victim may have been their
abductor. Enough of the plot. Any more would be a spoiler.
Unger’s character development makes this book outstanding.
She covers the two main characters in depth, good and bad. Unlike many books I’ve
read recently, their personalities, although warped, are believable and held my
interest from beginning to end.
I almost abandoned this novel after the first few chapters
because it bounced around too much in time and POV. First there was part of a
trial (2005), then a murder scene (2001), a scene with Cathie, the protagonist,
at work (2007), Catherine, an earlier version of Cathie, out drinking with
friends (2003), and finally it gets into the rhythm of skipping back and forth
between 2007 and 2003. At this point, I started to get hooked.
The personalities of Cathie and Catherine are entirely
different. Catherine (2003) loves to party, drinks too much, sleeps around.
Cathie (2007) suffers from severe OCD and PTSD. Catherine hooks up with sexy,
mysterious Lee, who becomes more and more controlling and abusive. Cathie starts
a cautious friendship with her neighbor Stuart, a psychologist who is
unbelievably understanding of her weird behavior.
There is no mystery. The trial at the beginning tells us
that Lee is the bad guy in the story. It’s obvious that Catherine and Cathie are
the same person. It’s also fairly obvious that Lee probably murdered the woman at
the beginning of the story (2001). At first, I thought the trial (2005) was for
But this is a well-written psychological suspense/thriller.
It kept me reading throughout to find out what happens next. Haynes follows
Catherine/Cathie’s personality changes in detail—Catherine’s downhill slide as
her relationship with Lee becomes more controlling and abusive, and Cathie’s
climb back to normality as she struggles to overcome her anxiety and OCD.
I would recommend the book to anyone who likes dark stories.
Sara is running from a Hurricane headed for the Outer Banks
of North Carolina and also trying to escape witness protection. She rescues two
children, Cassie and Boon, who are home alone in the apartment next door. She’s
torn between finding someplace to drop the children and staying off the radar,
so the agents don’t track her.
All the characters are intense and twisted but interesting.
I’m not sure who the title character is supposed to be, since everyone is lying
and/or a liar’s child. Hank, a retired sheriff, is almost unnecessary to the
plot. He’s haunted by a missing son who disappeared years earlier at age ten.
Whit, Cassie and Boon’s father, is dealing with the disappearance of his wife
while holding down a demanding job and taking care of the two children. Cassie,
age twelve, tries to fit in with the older kids in the neighborhood by dressing
Goth. Five-year-old Boon sleeps in his closet.
The story feels repetitive at times, but each time we see the “facts” from a different point of view, we learn a little more of the “truth.” It kept my interest to the end, and I liked the ending.
Nick Fourcade and wife Annie Broussard, detectives with a
sheriff’s department in Louisiana, have two major cases to solve–the rape of a
young autistic girl who doesn’t speak and therefore can’t identify her
attacker, and the murder of a seven-year-old boy in bed in his home.
The plot is good with many suspects for the murder and
twists, turns, and surprises throughout the book. But the characters (the
author jumps through numerous POVs) are all warped and living twisted lives. Characters
are evil, mean, power hungry, psychologically twisted, or cops so set on
finding the perpetrator that they browbeat the victims. Hero Nick is always
angry at everyone except his wife and son. None of the characters appear to
There doesn’t seem to be a premise to the story, but maybe a theme of child abuse, spousal abuse, bullying, and the effects on the abused.
I’ve read other novels by Tami Hoag, and this one doesn’t
compare favorably. The book kept me reading to the end, because of a good plot.
Certainly not because of the characters.
We know who the killer is from the beginning of this book,
but that doesn’t spoil the story. Hen and her husband Lloyd have moved into a
new neighborhood in a small Massachusetts town. She reluctantly attends a party
and sees a trophy in neighbor Matthew’s office that she believes is connected
to a murder she obsessively researched a few years earlier.
She tells the police, but due to a history of mental
problems, they distrust her credibility. Lloyd even doubts her. Hen and Matthew
have conversations where he admits he has murdered people.
The novel is a suspenseful psychological thriller. Swanson
held my interest throughout, even though I suspected the ending twist.
I intended to read this book years ago and finally got to
it. I won’t go into great detail. There are plenty of reviews available with so
much detail you almost don’t need to read the book.
There are two plots. The story begins with Mikael Blomkvist’s
conviction for libel for an article he wrote about billionaire businessman
Wennerström. This plot line stays in the background until late in the book.
Mikael is then hired by Vander, another rich man, to write a family history as
a cover to find out what happened to his granddaughter, Harriet, who
disappeared almost forty years earlier. This is the plot that consumes most of
The book covers many subjects including business greed and
crime, abuse of women, twisted family relationships, journalism ethics, Swedish
Nazism, computer hacking, and more.
There are also two main characters: Mikael Blomkvist and
Lisbeth Salander, (the girl with the dragon tattoo). Lisbeth doesn’t get
involved with the investigation until about halfway through the story, but we
follow what she is doing before that. Larsson gives us great detail about both
of these very different characters.
I enjoyed the book from the beginning, even though the first
half was rather slow with too much detail about clothes, meals, and day-to-day
minutia. Mikael spends a lot of time on the family history and very little on
the missing girl until way into the book.
The climax of the story occurs about three-quarters of the
way through. The rest of the book ties up all the loose ends, including the first
Larsson’s writing kept me interested from beginning to end.
Here and Gone kept me on the edge of my seat throughout the
whole book. What would you do if a sheriff in the middle of nowhere pulled you
over with a trumped-up charge and took your children away? Then he claims there
were no children in your car. No one believes you—state police, FBI, media all
think you have killed your children.
Unlike many of today’s thrillers that are filled with
violence and farfetched scenarios, this is an intense, believable psychological
Amazon classifies this book as a murder mystery/thriller, but it’s not your typical mystery. The plot revolves around a love story, but it’s not a romance novel. You might call it a psychological thriller. I don’t think it falls into any genre.
The story is about secrets and lies. Polly and Adam cross paths passing through a small town in Delaware. Both have secrets. Polly is running away from her husband and daughter, and she has a past that even they don’t know. Adam has been hired to find her. They fall in love and stay in the town for each other. But neither shares their secrets.
A woman dies in a fire in Polly’s apartment. It’s ruled an accident, but is it?
Sunburn is very strange story that follows no rules. But I like strange.
Anna Fox has is a psychologist with agoraphobia. She can’t leave her home. She spends her time talking to a support group online, learning French online, playing chess online, watching old black and white movies, and watching her neighbors through their windows.
She has actual contact with few people—her physical therapist, her psychiatrist, and her tenant who occupies the bottom floor of her home. New neighbors move in and she has a visit from their teenage son, and then the mother, Jane Russell. One day through the window she sees a woman murdered—Jane Russell. Or did she? Anna drinks heavily and abuses her psych medications. Was she hallucinating?
The Woman in the Window is an intriguing psychological thriller. Twists and turns kept me reading Anna’s day-by-day tale.