Historical novels are not my favorite, but Late City is more about how our experiences shape our view of others, our morality, our choices in life. Sam Cunningham, as he lies dying at age 115, reviews the first half of his life (nothing about his later years after the death of his wife) in conversation with GOD.
The story covers his youth in Louisiana, growing up with a brutal father. He hates his father and disagrees with his beliefs and ideas but carries many of them into his own life. Specifically what it means to be a “man.” We spend time with Sam as a sniper in the trenches of WWI, meet his wife and son, follow his career as a Chicago newspaper man.
There is far too much to cover in the complicated story. Two things that stood out for me. One was the underlying theme of people’s acceptance of evil, from Hitler to Al Capone to Trump and others. The second was Sam’s obliviousness to the feelings of the people around him (which the author points out specifically at the end of the book). Sam is all about the facts, not just in his news reporting but in life. He neglects to connect.
Excellent writing kept me engaged from beginning to end.
The back of this book says it’s a romance novel, but I would call it an anti-romance. People have a tendency to stick with a relationship on expectations of what they want it to be. This is a story of ending those relationships and getting on with life. It was somewhat humorous, a little too repetitive, and for some strange reason divided into five parts. If you read it with your sense of humor in tact, it’s enjoyable.
The characters were likeable. The brother sister relationship was believable. Emmy finally got out of her rut in the end.
I read this book because I recently read Laura Dave’s The Last Thing He Told Me, which captured me.
Murderbot Diary #6 follows an almost standard closed room (an isolated section of Preservation Station) murder mystery plot line. Muderbot works as a consulting independent private investigator (SecUnit or security bot) working with the police (security system and space station personnel). But the imaginative SF setting and the grumpy, paranoid, snarky, and protective personality of Murderbot set the story steps above a normal murder mystery.
The story starts with an unidentified victim with unknown who done it, how, why, and even where was the murder committed. Murderbot is limited in his investigation because of an agreement he’s made not to hack the station’s systems.
As always, I’m fascinated with Murderbot, the SecUnit who wants to spend its time absorbed in media and is disgusted by humans but can’t overcome his urge to protect them. Wells is extremely creative with characterization (mainly with Murderbot but also with other characters) and her world-building settings are definitely “out of this world.”
Great SF series. Martha Wells has a terrific imagination. She creates a cyborg character who is more human than some people I know. She’s good at world-building, plotting, characterization, and keeps my attention throughout. She writes with the three H’s — head, heart, and humor.
Having read #1 through #6, I’m looking forward to more. I understand that Wells has at least three more Murderbot books in the pipeline.
Browsing through reviews of The Sentinel, I see a number of readers think Reacher has lost some of his personality being co-authored by Lee Child and his brother Andrew. I didn’t feel that way. Reacher might be a little older, a little mellower, but he’s still the same loner with a wanderlust that keeps him traveling throughout the country. He’s still a magnet for people in trouble and can’t resist jumping in to help. He continues to have the unbelievable ability to win every fight no matter how many opponents he faces. And he still travels with only a toothbrush. He did have a phone for a short time in this story, but he gave it back in the end.
I like Reacher’s personality—positive and upbeat, helpful in the extreme, no greed, no depression, no guilt. The two Child brothers have maintained that temperament. And I see humor in the exaggeration of character traits, especially the villains, and in Reacher’s deadpan dialog. It’s not laugh-out-loud humor, but it’s there.
I will keep reading more Reacher books as long as they keep publishing.
I read this as a stand-alone, not having read the first 4 Murderbot novellas. Maybe if I’d read them, I would have given it 5 stars instead of 4, because I was a little confused from time to time.
I love SecUnit Murderbot and the transport AI ART and their quirky “relationship,” full of the dreaded “emotions.” Lots of humor there. Murderbot attempting to learn to be a person while despising humans always gave me a laugh.
Martha Wells writes very well, but her use of parentheses drove me crazy until after a few chapters I learned to ignore them.
Great read. Maybe I’ll read Murderbot 1 through 4 (and then 6?).
Most of this novel is filled with tales of the motley crew of Hollywood Hills cops taking police calls—a mixture of hilarious, sad, heartbreaking, and violent stories. But mixed in with the incidents is a crime plot with many weird twists and turns. Wambaugh writes with such finesse and detailed characterization that you understand all the players’ (good an bad) motivations.
The book keeps you reading to see what crazy action will happen next.
I believe Lee Child has a subtle sense of humor in his
writing. It feels like he thoroughly enjoys writing Reacher stories, making the
unbelievable believable, letting this giant of a man wander across the country
taking out all the bad guys in his path, and painting a picture of a country he
I won’t go into the plot of Past Tense. You can read about it in almost every review. But I liked it.
I’ve read most or all of the Reacher books and enjoyed every
one of them.
I’ve been looking for some humor, and in Scot Free, I found it. The last book I
picked up to read that was supposed to be humorous didn’t do it for me, but
this one makes me laugh.
I read some reviews where McPherson fans were disappointed
in this novel, but since I haven’t read any of her previous books, I had no
expectations. Her characters are ridiculous and outlandish, and I love them. The
residents of the Last Ditch Motel, where Lexi ends up entirely by accident, are
unbelievable but loveable and laughable.
Lexi’s descriptions of California life from the point of
view of a recent immigrant from Scotland are delightful. The plot is silly and
unbelievable but entertaining.
The Starless Sea
is a story about the love of stories.
The main plot lies mostly underground in a world filled with
stories—in books and paintings and sculptures and even in people. Zachary Ezra
Rawlings finds an uncatalogued book with no listed author in the library. The
book contains a story about him when as a young boy he missed the opportunity
of opening a door painted on a wall. But the book is older than Zachary. How
could the author know his story? His search for the source of the book leads him
to the labyrinth of stories lying under his feet.
Morgenstern’s novel is filled with unrelated stories, fables,
fairytales, and myths that intertwine and finally connect at the end of the
book. These individual stories contain romance, loss, time and fate, humor…
I’m not usually a fan of fantasy, but I was absorbed in this
book and Morgenstern’s excellent writing. She has a fantastic imagination.
This novel is a cozy murder mystery with a dash of chick flick, some romance, some humor, some family saga, and a lot of small town gossip and rumor. Realtor Kate Medlar moves to Lachlan, Florida and stays in an old mansion with her aunt Sara Medlar, romance novelist, and Sara’s friend Jake Wyatt, builder. When a tree falls over in the back yard of a house Jake is remodeling, the unlikely trio of sleuths find the bones of two women in the roots of the tree.
I did figure out the villains in the story long before the end. And I could see that Deveraux left relationships to be explored in the next book.
The novel is a well-written, quick and easy read with believable, lively characters and small town dynamics.