In this dark, dystopian novel set in Golden State, a future California,
lying is the worst of all crimes. Laszlo Ratesic, an officer in the Speculative
Service, is trying to solve anomalies in a case where a roofer fell from the
top of a house and died. He can sense lies. His partner, a recruit to the
service, is even better at this skill than Laszlo. In following the details of
the incident, they uncover a plot to undermine “the truth.”
The story is set in a world of complete surveillance where
everyone is required to record all of their actions and add them to the
official “Record” each day. The only books allowed are books of fact. Any
history before the founding of the Golden State and anything outside its
boundaries are “unknown and unknowable.”
Although brainwashed, the main character was interesting.
The plot was good, and there were surprises at the end.
Not a bad read.
Sara is running from a Hurricane headed for the Outer Banks
of North Carolina and also trying to escape witness protection. She rescues two
children, Cassie and Boon, who are home alone in the apartment next door. She’s
torn between finding someplace to drop the children and staying off the radar,
so the agents don’t track her.
All the characters are intense and twisted but interesting.
I’m not sure who the title character is supposed to be, since everyone is lying
and/or a liar’s child. Hank, a retired sheriff, is almost unnecessary to the
plot. He’s haunted by a missing son who disappeared years earlier at age ten.
Whit, Cassie and Boon’s father, is dealing with the disappearance of his wife
while holding down a demanding job and taking care of the two children. Cassie,
age twelve, tries to fit in with the older kids in the neighborhood by dressing
Goth. Five-year-old Boon sleeps in his closet.
The story feels repetitive at times, but each time we see the “facts” from a different point of view, we learn a little more of the “truth.” It kept my interest to the end, and I liked the ending.
I decided to read this nonfiction book after reading the
author’s novel, Scrublands. I wanted
to learn more about Australia and the area where the story took place. I’ve
never visited Australia, but I can picture the drought-ridden area of
Queensland and New South Wales now that I’ve read The River. Chris Hammer is an excellent writer.
Hammer spent weeks and months traveling the Murray-Darling
river basin. He introduces us to the residents of this harsh land, tells their real
stories, their memories, and their yarns. He covers the heartbreak of failing
towns and farms, the determination and humor of the people who live there.
There are lessons in this book about water and how we use
and abuse it. Hammer doesn’t preach, he gives us the differing opinions of the
people living with the lack of water. Some of those lessons are relevant to the
US as well as Australia.
I just returned from an awesome trip into the Amazon
rainforest without leaving my home. All my senses are on overload. Erica
Ferencik not only excites sight, sound, smell, taste, and touch, she introduces
you to a variety of alien cultures and characters, pulls at your emotions, plucks
your heart strings, and teaches you about the unique environment of the jungle.
She is an extraordinary storyteller.
Into the Jungle is
my favorite read this year.
I haven’t read a Dan Brown novel in years. I gave up after The Da Vinci Code and Angels & Demons. As you can read in
many of the reviews, he’s not the best writer. But a friend gave me a copy of Origin recently, so I read it.
Where do we come from? Where are we going?
These are the two questions to be answered by the “big reveal” that is the central plot of the novel. There is lots of philosophical discussion about the questions and the differences between religion and science—some interesting, some repetitive. But in my opinion (and maybe the author’s), the big reveal doesn’t truly answer either question. And I guessed the villain of the story early on, so the ending fell flat for me.
enjoyed Spain. Brown’s description of the art, architecture, landscape, and
culture made me want to visit. But even some of this was repetitive.
it was an interesting read, but it could have been much shorter.
The author takes us into Riversend, a small dying settlement
in Australia’s interior, in the middle of a summer drought. The river running
through the town has dried into cracked earth. You can feel the heat and see it
rising off the baked land.
A priest shot five men in front of the church and was killed
by the local policeman. Martin Scarsden’s editor at the newspaper sends him to
visit Riversend a year after the shooting to write a piece about how the locals
are coping with the tragedy. At first, Martin is a typical newsman interviewing
residents—outside looking in. The town is full of secrets and rumors, which
cause Martin to write articles for his paper with incorrect facts, gaining
enemies. As he gets to know them, people ask why a priest that many admired and
loved did such a terrible act. Martin’s curiosity and desire to find the truth
have him looking for the answer. This is the central question in the story.
Hammer’s characters are varied and complicated, not always
who or what they appear to be at first meeting. He even gives us insight into
the dead priest.
The plot is complicated, with many twists and turns. It kept my interest from beginning to end.
Off the Grid is a murder
mystery/police procedural/international thriller set on the big island of Hawai’i.
The story starts with “bang” when a woman’s car is crushed
by a dump truck. As the police and firemen close in, there is a massive
explosion, which turns out to be a bomb. Chief Detective Koa Kãne leaves the
scene to investigate a body found in the volcano Pele’s lava flow. The two
victims are a man and woman who have been living off the grid on the island for
twenty years with little interaction with other people. Who are they, who
murdered them, and why?
Koa meticulously tracks the complicated answers, with his
instincts helping to point him in the right direction. His chief, CIA, MIA, and
island politics all try to block and interfere with his investigation. He
continues to uncover secrets about the two victims, the military, the CIA, the
Chinese, and the locals.
Koa Kãne has secrets of his own that he shares with no one,
not even his girlfriend. The author paints a picture of Hawaii and its people
that is fascinating. You can feel the heat and smell the sulfur of the volcano,
sense the lush rainforest, connect with the variety of people who inhabit the
island. All of McCaw’s characters are interesting.
A great read by a talented author. Thanks to Oceanview
Publishing for sending an advanced reader’s copy of this book.
Nick Fourcade and wife Annie Broussard, detectives with a
sheriff’s department in Louisiana, have two major cases to solve–the rape of a
young autistic girl who doesn’t speak and therefore can’t identify her
attacker, and the murder of a seven-year-old boy in bed in his home.
The plot is good with many suspects for the murder and
twists, turns, and surprises throughout the book. But the characters (the
author jumps through numerous POVs) are all warped and living twisted lives. Characters
are evil, mean, power hungry, psychologically twisted, or cops so set on
finding the perpetrator that they browbeat the victims. Hero Nick is always
angry at everyone except his wife and son. None of the characters appear to
There doesn’t seem to be a premise to the story, but maybe a theme of child abuse, spousal abuse, bullying, and the effects on the abused.
I’ve read other novels by Tami Hoag, and this one doesn’t
compare favorably. The book kept me reading to the end, because of a good plot.
Certainly not because of the characters.
The Current is a
strange story written in a strange style, and it leaves unanswered questions at
the end. It’s closer to real life where everything doesn’t get neatly tied up. There
is mystery here, but not your typical “whodunit” mystery, maybe a literary
I enjoyed the story, but it took a little while to
understand the flow. At times Johnston writes stream
of consciousness, sometimes he uses second person POV, head-hopping from
one character to another, and he skips back and forth between timelines. But he
digs deep into the psyches of his characters—love, hate, grief, curiosity, need-to-know,
vengeance—and tells all that is going on around them—sights, smells, heat and
cold, sounds, skin sensations.
I enjoyed the book but only gave it four stars. It grabbed
my attention, my heart, and my mind. But the author could have made it a little
easier to follow without losing the grip of the story.
I have not read any of the previous books in this series, which
may be a disadvantage in reading Kingdom
of the Blind, but it reads well as a stand-alone.
The cozy comfort of the small town of Three Pines stands in
stark contrast to the back streets of Montreal. Some of the gatherings of Gamache’s
family or friends in the village, discussing the murder or just babbling about
life, at times seemed confusing or unnecessary, possibly due to my
unfamiliarity with the characters. But these gatherings were comfortable,
friendly, and humorous. The story is filled with family connections (both
relational and families of friends or coworkers), some full of love and
understanding and some underlined with distrust.
One unusual thing about Penny’s writing is her use of
omniscient point of view. You might even call it “head-hopping.” She often jumps
POV from one character to another and back. I found it distracting at times,
but overall, she did a reasonable job of making it feel seamless.
The setting in Canadian winter made me feel the chill and
the crunch of the snow underfoot. The plot was interesting. Occasionally I was
ahead of the story and guessed what would happen, other times I was surprised.
I may go back in time and read other novels in Ms. Penny’s Gamache