I intended to read this book years ago and finally got to
it. I won’t go into great detail. There are plenty of reviews available with so
much detail you almost don’t need to read the book.
There are two plots. The story begins with Mikael Blomkvist’s
conviction for libel for an article he wrote about billionaire businessman
Wennerström. This plot line stays in the background until late in the book.
Mikael is then hired by Vander, another rich man, to write a family history as
a cover to find out what happened to his granddaughter, Harriet, who
disappeared almost forty years earlier. This is the plot that consumes most of
The book covers many subjects including business greed and
crime, abuse of women, twisted family relationships, journalism ethics, Swedish
Nazism, computer hacking, and more.
There are also two main characters: Mikael Blomkvist and
Lisbeth Salander, (the girl with the dragon tattoo). Lisbeth doesn’t get
involved with the investigation until about halfway through the story, but we
follow what she is doing before that. Larsson gives us great detail about both
of these very different characters.
I enjoyed the book from the beginning, even though the first
half was rather slow with too much detail about clothes, meals, and day-to-day
minutia. Mikael spends a lot of time on the family history and very little on
the missing girl until way into the book.
The climax of the story occurs about three-quarters of the
way through. The rest of the book ties up all the loose ends, including the first
Larsson’s writing kept me interested from beginning to end.
Burke writes vivid settings. He brings you into the bayous
of Louisiana and activates all your senses—sight, sound, smell, taste,
touch—and more. He laments what greed and politics is doing to his beloved
His characters (good guys and bad guys) have depth. But protagonist,
Dave Robicheaux, has to be in his eighties and is still playing cop and lusting
after women in their twenties. Dream on, Burke. A bit less of Robicheaux’s
anger and feeling sorry for himself would make him more likable and move the
The plot keeps you guessing about the villain, who is
ritualistically killing members of the community using a tarot theme. But I did
suspect the killer early on.
A very dark tale set in the underbelly of Boston. Lehane
paints very vivid portraits of his characters, some of whom you wouldn’t want
to meet in a dark alley. There is a nice story of a man and his dog woven
through the novel plus the building of a romance between two lonely people.
The author is an excellent writer holding my interest in the
story and all the unsavory characters.
Here and Gone kept me on the edge of my seat throughout the
whole book. What would you do if a sheriff in the middle of nowhere pulled you
over with a trumped-up charge and took your children away? Then he claims there
were no children in your car. No one believes you—state police, FBI, media all
think you have killed your children.
Unlike many of today’s thrillers that are filled with
violence and farfetched scenarios, this is an intense, believable psychological
Clyde Barr is a Jack Reacher type character. But Erik Storey
doesn’t write as well as Lee Child. Barr is the only character in this novel
with much depth. The others are brushed over lightly. I liked the setting in
the desert of Utah on a Ute reservation. I could feel the dry heat and see the
The plot wasn’t bad with a motorcycle gang invading the reservation,
waiting for something. A bit too macho for my taste—too much violence. Barr
gets beat up a lot, but always survives.
The book kept my interest enough for me to finish it, but I
won’t be looking for another Erik Storey novel.
I heard of this book on public radio. Having suffered from
autoimmune diseases, I have a strong interest in the immune system, so I wanted
to read this book. I wanted to learn more, and
I did. The author packed a ton of information into the pages along with the
stories of four people. Huge strides made in the last few years in
understanding our immune system, but there is still more to be learned. One
thing I learned is how much of a balancing act is going on inside us.
A lot of science, but very readable.
Never Tell is a
book of secrets told from three women’s POVs. Evie Carter finds her husband
dead—murder or suicide—picks up the gun and shoots his computer. Homicide
detective D.D. Warren knows Evie as a girl who sixteen years ago “accidentally”
shot and killed her own father. D.D.’s civilian informant, Flora Dane, sees a
picture of Evie’s dead husband and recognizes him as someone she met while a
kidnap victim of Jacob Ness.
The three distinctive characters are well-defined and
interesting, revealing secrets as the story progresses and uncovering other
secrets about Evie’s husband, father, and mother, and about Flora’s kidnapper. Peripheral
characters are also distinct and interesting. The setting is in Boston, my
favorite city. The complex plot kept me guessing.
An excellent novel by a first-rate author.
Seven teenagers go camping and only six return. A massive search
doesn’t turn up Aurora, at fourteen, the youngest of the group. Thirty years
later, her body is found in a hollow
beneath a tree along with remnants of a stash of drugs.
The timeline alternates
between current and the night of the murder. Point-of-view shifts
between cops and campers, both present and thirty years prior. The author does
a good job of switching time and POV, and I didn’t find it confusing.
Lodge paints good pictures of each of her many characters—four
police and the six campers (seven with Aurora)—each character unique. She even
adds a couple of extras into the mix. It may be a little overload on character
She keeps us guessing about the murderer, but I did have an
idea of who it was early in the story. The plot could be a little slow for some
readers, but I found the details of police procedural interesting.
A good first novel. I look forward to the next book in the
series with DCI Jonah Sheens.
The Taskforce characters don’t jell for me. Their dialog is
scattered and often makes no sense. You need to know their relationships with
each other and outsiders to follow the conversation. For a supposedly highly-skilled
group, they make a lot of mistakes and appear lucky to accomplish their tasks.
The best part of this thriller and the best character is a
thirteen-year-old girl, Amena—a Syrian refugee
and pickpocket in Monaco. She lifts an iPhone, which turns out to hold instructions
for obtaining a deadly weapon. Her adventures make the book readable.
The duo of authors Douglas Preston and Lincoln Child is
fascinating to me. They write seamlessly together. As an author, I am curious
about how the collaboration works. I’ve tried writing with others, and it
worked only one time. When it gelled, it was fruitful and fun, but you could
tell we were two authors. With Preston and Child, it feels like one.
Also intriguing—Agent Pendergast is still an interesting protagonist after eighteen books. I find it difficult to continue with the same characters into a second novel. I prefer starting with a new story and new characters.
Needless to say, excellent read.