BVI Constable Teddy Creque is called on to capture a shark that has attacked and killed a woman off Virgin Gorda. But sharks don’t usually attack humans unless they are dead or wounded, and Teddy sees a cut on the woman’s neck that doesn’t appear to be caused by shark’s teeth.
The story unfolds around unique characters, including a brilliant boy who almost never speaks, a parrot who repeats everything he hears, a Russian ex-spy, “De White Rasta” Teddy’s cohort from the previous story, and various other fascinating participants.
For me, the setting draws me back to the islands. I can picture the people, the shops and houses, the tropical flowers, the warm humid air, the beautiful clear water—even the birds are familiar. I haven’t seen or heard of a bananaquit since I lived in the Bahamas where they would join me for breakfast on the veranda, stealing my food.
I also appreciate that the author didn’t drag us through the protagonist’s depression as many crime novels do. Teddy apparently went through a period of moping over his mistakes and his affair with a not-so-nice woman between novels. But he mostly has his act together by the time this story happens, although he doubts his policing skills from time to time.
Keyse-Walker’s second novel is as engaging as his first. He again captures the spirit of Caribbean island life. This time on Virgin Gorda, a tiny bit faster-paced than Anegada where his first book took place, due to more people, more tourists, etc.
The scientific settlement on Mars receives word that nuclear war has broken out on Earth, then communications are cut. The community on Mars consists of four modules — U.S., Chinese, Russian, and Eurasians (from various countries). They start pointing fingers and blaming each other’s countries for starting the war. It appears that the module leaders are lying to each other. Then things begin to go wrong in the settlement. But Liz is determined to get everyone working together.
Cawdron paints a fantastic picture of Mars, both topside and in the tunnels where the scientists have built their settlement. His characters are believable, and their reactions to the disaster at home and the hardships imposed by the red planet are realistic.
For those who like hard science fiction, this is a good one. As stated by SpaceX engineer Dr. Andrew Rader in the Afterword of the novel, “…there are no scientific breakthroughs required for the human exploration of or settlement on Mars — only engineering effort and widespread dedication to the goal.” With a few exceptions, all of the technology and science in Retrograde is possible, if not now, in the near future.
Kenneth Durand is an Interpol Agent chasing genetic crime in 2045. He is shutting down labs that create designer children for a price. Marcus Wyckes heads the cartel at the top of the black lab food chain. Otto, the “mirror man,” created to survive human disasters and repopulate the earth if humanity is wiped out, hates humans, and is Wyckes right-hand man. He injects Durand with Wyckes’ DNA, expecting Durand to die and be identified as Wyckes. But Durand lives through the DNA change.
We meet all sorts of characters, good and bad, as Durand travels through the underworld of genetics trying to find a way to return to his original self. The setting for the book is fascinating, starting in Singapore, traveling through Malaysia, Thailand, and Myanmar. Suarez takes us through cities, farm lands, and jungles. He extends today’s technology into the future with interesting devices and transportation. The author also covers many possibilities, promising and terrible, from the results of “editing” DNA in plants, animals, and humans.
Suarez is a NYT bestselling author, but this is the first of his books I’ve read. I could be tempted to read more.
Maggie Gardiner, forensic scientist with Cleveland police, sees a connection between three recent homicides. Jack Renner is a Cleveland police detective working on the same crimes. But Jack is also a killer—a vigilante. Some of the dead are his victims. This makes an interesting plot, with Maggie putting together clues and Jack trying to mislead her.
I enjoyed the book—the characters, the plot, the police work, and the different ending. It kept me reading into the wee small hours.
This is the story of a marriage falling apart. Sutton and Ethan Montclair are both writers who claim to love each other, but they don’t trust each other. Their lives are full of hidden secrets and lies. Both writing careers are in trouble and their infant son dies of SIDS. Then Sutton disappears. The police think Ethan has murdered her, except Holly Graham who is lead in the case.
The plot twists and turns, and we know from the beginning that there is some female villain who is manipulating things, but we don’t know who or why.
This was a good read. The story kept my interest. But I wasn’t thrilled with the characters. Both husband and wife are very self-centered. Sutton has hidden secrets about her life before meeting Ethan. She runs away from her life. Ethan tries to drink away his troubles, many times more worried about himself than his missing wife. The reader should like or identify with in some way the protagonists. I couldn’t dredge up much sympathy for either Sutton or Ethan, even though a very evil person was destroying their lives. I liked Holly Graham, but she was not the main character.
I did read the whole book, which I won’t do if it doesn’t grab me in some way.
During an excavation in London to upgrade an old neighborhood, the skeleton of a newborn baby is found. The police estimate the burial to be thirty to forty years ago. This grabs newspaper reporter Kate Waters’ attention, and she starts digging to find people who lived on the street at the time. She finds an old story about a baby stolen from the hospital, but as the date of the burial becomes clearer some things don’t match. The missing child was kidnapped a decade earlier and in a different neighborhood. Working the story, Kate finds more information and secrets, plus some unexpected surprises.
Trying to figure out what had happened, the book held my interest from the beginning, but it didn’t really grab me until the latter part of the story, keeping me up late the last night to finish it.
I guess the novel would be women’s fiction, mystery, maybe literary, maybe psychological thriller. I know that I say I’m not into women’s fiction, but there are some very talented writers in that genre. Author Barton kept me reading and kept me guessing. I would definitely read another of her novels.
Police investigator Mia Krüger and her boss Holger Munch head a team looking into the strange death of a young girl found posed in the woods on a bed of feathers. They discover a film of the girl in a cage, running in a wheel like an animal in order to get food. What sort of sick person would do this?
Maybe it’s the cold and the long dark nights or maybe it’s the books I choose to read, but it seems that whenever I read a novel by a Scandinavian author, they are filled with gloom. Norwegian Bjork fills the story with characters (good and bad) who are depressed or psychologically damaged. It’s set in the beginning of a long, cold, dark, Norway winter.
Even so, I enjoyed the plot’s twists and turns, the unraveling of a very strange murder, and even those bleak characters involved in solving the crime.
This novel kept me reading until 4 AM. As I said in my last post, science fiction can be almost any type of story. This one is a murder mystery, a romance, a generation ship story, a psychological thriller, hard science fiction, and much more.
The seed ship Kybele is almost ready to leave Earth after years of building and preparation, when a man is found dead in a tree. Helt Borrensen, the ship’s incident analyst is assigned the job of special investigator to determine if the death is suicide or murder and if murder, who is the killer. The investigation is complicated by the discovery that several of the colonists have apparently received large sums of money from an organization that opposes the seed ship leaving Earth orbit. The love story in the novel involves Helt’s attraction for the chief murder suspect.
Sounds like a romance novel, doesn’t it? But this is only a part woven into a complicated plot that explores the birth of a new world, human behavior and interactions, politics, multiple sciences, the controversy of surveillance, new ways to govern, creativity…the list goes on.
A Christopher Worthy and Father Fortis Mystery. The story feels a bit like a “cozy” mystery to me — amateur sleuth solving crime in a small town. Father Fortis, a Greek Orthodox monk, is the amateur sleuth who helps his friend, Police Lieutenant Christopher Worthy, solve the murder of a priest. The church community, even though in the city of Detroit, functions as a small town.
Worthy believes the killer is someone in the congregation. His nemesis on the police force, who continually interferes in the case, believes it‘s some punk from the projects close to the church—a robbery gone bad. Worthy and Father Fortis track down and interview several parishioners who appear to have motives for killing the priest. They are also searching for the priest’s journal, which they believe may hold clues.
At the same time, Worthy is trying to reestablish ties with his teenage daughter and attempting to understand his surly new police partner. The characters and interactions between them are interesting and add to the story.
The novel keeps a slower pace than many of the mysteries and thrillers in today’s market. But I enjoyed the story and kept reading.
Star’s End is the ultimate in corporate control. A science fiction story about the Four Sisters, four planets terraformed by Phillip Coromina. He not only owns the planets, he owns the people who inhabit them. Any person who doesn’t follow company rules disappears. Exiled or killed? The family business manufactures weapons. One product of the company is manufactured humans who are programmed in their DNA to be soldiers. They fight wars across the galaxy alongside normal human mercenaries hired by the corporations. The manufactured soldiers are programmed to be loyal to each other and the corporations.
The protagonist in Star’s End is Phillip’s oldest daughter, Esme. Her mother is a soldier who left her to be raised by Phillip when she was born. Esme’s three-hundred-year-old father is dying. He has a disease which kills even those taking rejuvenation treatments. She is taken by surprise, but she has been waiting a long time. Esme will become CEO of Coromina Group. She wants to change the path of the company and no longer manufacture weapons.
There are also aliens living on the planets. Philip isolated them long ago and they have no contact with the humans. Sounds familiar, doesn’t it? Fear the aliens; fear anyone different from you instead of learning to live together; creating wars for profit.
Esme’s three younger half-sisters have all disappeared. She is trying to track them down and bring them home before her father dies. Each sister chose to leave when they found out how cruel their father was and what he had done to Isabel, the youngest. But Esme has stayed to work from inside to improve the system.
The novel jumps between present and past. The past POV is Esme, first person past, and the present is Esme, third person past. There are many secrets that we don’t learn until events occur in the past chapters or until Esme reaches a level in the corporation to learn them. Phillip is all about secrets. You are privy to more of what’s happening as you go up the ranks of the company. At the end of the story, Esme is one of the few Ninety-Nines, the highest level who can know all the secrets.
An interesting novel, obviously anti-corporate. I enjoyed it, even if I found Esme reluctantly following her father’s orders hard to take.